As a TV adaptation of Naughty Dog's games,Seung Ha (승하) Archives The Last of Usincludes more than a few hidden references and overt re-creations of the gameplay and cutscenes from The Last of Us Parts I andII.
Music references, in particular, are threaded through both seasons, from the Hank Williams connection to Season 1, episode 4; Crooked Still playing at the dance in Season 2, episode 1; to Ashley Johnson's cover of "Through the Valley" to end that brutal second episode.
SEE ALSO: 'The Last of Us' Season 2: What are the differences between the game and the HBO show?In the fourth episode of Season 2, Ellie (Bella Ramsey) plays a tune right out of the game, in what's sure to be a moving moment for fans familiar with the TV show's source material. But what song does she play, and how is it connected to the game?
In Season 2, episode 4, Ellie and Dina (Isabela Merced) are en route to Seattle when they need shelter. They find the one place they can fit their horse Shimmer through the door, Valiant Music Shop, an abandoned record store that's still fully stocked with Bob Marley and Tears for Fears vinyl and requisite Pearl Jam posters.
Ellie heads upstairs and finds the guitar section, where many an instrument has been eroded by the elements. But fortune smiles on an unopened case, and Ellie finds a pristine acoustic guitar within. She picks it up, takes a seat, and plays a truly beautiful, quietly romantic version of A-ha's 1985 track "Take On Me."
Music is a crucial link between Ellie and Joel (Pedro Pascal) in The Last of Us, in life and after his death. Joel gave Ellie the butterfly-necked guitar and was restringing it for her before he died, despite their rocky relationship.
The song Ellie picks to play is the same one as in The Last of Us Part II,when you play the chords yourself (this feature of the second game is a polarising one). Ramsey performs the song in the show in much the same style as Johnson does in the game, with both scenes showing Dina listening with shining eyes to Ellie's rendition.
In the game scene, Ellie actually starts to play Pearl Jam's "Future Days", a song Joel plays to Ellie at the beginning of The Last of Us Part IIwhen he gives her a guitar, and a song that's become synonymous with the franchise for fans. But then Ellie stops when Dina enters, then moving into A-ha's "Take On Me."
The thing is, you could completely miss this cutscene in the game if you don't investigate the guitar room. It's not part of the main storyline, but instead it's more of a private side moment for Ellie, who is still grieving the loss of her guitar-teaching father Joel, and for Dina, who is becoming more aware of her feelings for Ellie — you try watching someone you mightlike playing music live and not falling head over heels.
But it's particularly poignant because of A-ha's lyrics, which match The Last of Us' glimmer of hope for our protagonist, with Ellie singing, "Needless to say / I'm odds and ends / But I'll be stumblin' away / Slowly learnin' that life is OK."
The Last of Us Season 2 is now streaming on Max. New episodes air weekly on Sundays 9 p.m. ET on HBO.
Watching The Last of Usand want to play the games? Here's how.
Topics HBO Streaming The Last of Us
What horror movies will be like after 2020Trump's DACA decision is a double whammy for hurricane survivorsXiaomi's Apple Watch clone costs $61, has 9Seth Rogen reacts to WikiLeaks accusation of regimeGoogle Pay shoots to top of Apple's App Store by giving users $21Fitbit partnership brings diabetes monitoring to the Ionic smartwatchYouTube and Gmail are down (Update: And they're back)The enduring power of 'Uncut Gems' memes'Wonder Woman 1984' reviews are in. Here's what critics think of it.Now's your chance to own Banksy artwork for cheap with his new Gift ShopLatest iOS update shows all the ways Facebook tracks you. There are a lot.'Wonder Woman 1984' reviews are in. Here's what critics think of it.Sesame Street reveals new Rohingya refugee muppetsDon't laugh at this British politician — his views aren't funny, they're dangerousThis magazine titan wielded his publication as a weapon against TrumpGeorge Clooney talks Donald Trump, Black Lives Matter, and fatherhood in new interviewTesla temporarily halts production on Models S and XSesame Street reveals new Rohingya refugee muppetsThis magazine titan wielded his publication as a weapon against TrumpUber tacks on new fee for Prop. 22 gig worker benefits Redux: Each Rustle, Each Step by The Paris Review Memory Haunts by Imani Perry Allen Ginsberg at the End of America by Michael Schumacher The Origins of Sprawl by Jason Diamond The Legacy of Audre Lorde by Roxane Gay The Art of Distance No. 24 by The Paris Review Young, Queer, and Lonely in Paris by Sophie Yanow The Rager by Benjamin Nugent Redux: X Sends Regards by The Paris Review Redux: Of Time Accelerated by The Paris Review Redux: Leaves Fall Off of the Trees by The Paris Review Staff Picks: Billboards, Bookstores, and Butler by The Paris Review Ramona Forever by Adrienne Raphel Death’s Traffic Light Blinks Red by Cathy Park Hong Notes on Notes by Mary Cappello What Would Shirley Hazzard Do? by Brigitta Olubas Is It Too Scary? by Eula Biss The Art of Distance No. 32 by The Paris Review All the Better to Hear You With by Sabrina Orah Mark Redux: Snap and Glare and Secret Life by The Paris Review
2.2008s , 10132.3671875 kb
Copyright © 2025 Powered by 【Seung Ha (승하) Archives】,Feast Information Network